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There has been controversy as
to the first broadcasting station, but there has been little
doubt that the first broadcast network program occurred on January
4, 1923, as a simultaneous transmission from WEAF New York and
WNAC Boston of a New York-originated program. This program started
at 8:03 PM with the selection "Habanera" from Carmen
by Bizet, sung by Davera Nadwernay. This was followed a few months
later with a more extensive network transmission originating
at Carnegie Hall and broadcast by WEAF New York, WGY Schenectady,
KDKA Pittsburgh, and KYW Chicago using facilities supplied by
AT&T Co. This was followed quickly during the summer of 1923
with the construction of a second Telephone Company station,
WCAP in Washington, D. C., and the regular linking of this and
other stations with programs from WEAF. Facilities specially
engineered for this purpose were originally called the "Red
Layout," later the Red Network.
Operation of the broadcasting network required close coordination
between the point of program origination and operating points
along the network for proper switching of circuits and for making
required station break announcements.
It was determined that some special, readily identifiable, aural
cue was needed. Voice cues by the announcer did not work with
sufficient reliability to be satisfactory. As a result the four-tone
Deegan chime, frequently used to announce dinner, was tried as
an aural cue. It is not known who selected the chime melody used,
but a seven note series as shown in Figure
1 became the red network cue and was used until operations
under NBC moved to 711 Fifth Avenue. Both studios at 195 Broadway
were equipped with a four tone chime for network cues.
In 1927 the new NBC broadcasting operation moved from previously
used studios at 195 Broadway and 33 West 42 Street to new studios
at 711 Fifth Avenue. With this move came many changes, including
a change to a simpler three note network cue consisting of the
notes G, E and C in that order. This chime cue was also used
on the newly formed Blue Network of NBC headed by station WJZ.
This method of cueing for station breaks using hand operated
chimes and the three note NBC aural logo continued until shortly
after the move to Radio City in 1933.
Sometime during the latter part of 1933, O. B. Hanson and
R.M. Morris of NBC Engineering Department visited Captain Richard
H. Ranger at his home in North Newark. This visit was for the
purpose of inspecting and becoming better acquainted with an
electronic organ developed by Captain Ranger. This organ, one
of the first of its kind, bore little resemblance to later developments
in this field, such as the Hammond. It was quite complex and
had many features of the pipe organ but the equipment consisting
of countless tubes, relays, oscillators, amplifiers, filters,
modulators, etc., occupied all of a two car garage.
Later, the Captain accompanied Mr. Hanson and me back to downtown
Newark where we slopped et the Robert Treat Hotel for some refreshment
and a continuation of our discussion. It was during this quite
informal conference that the subject of the NBC chimes arose
with the thought that a push-button operated electric chime would
be preferable to the method then used. The discussion concluded
with the suggestion that Captain Ranger prepare a design of such
a device and present it as a proposal to NBC. It was hoped that
a reasonably simple and trouble free design, suitable for network
use, would be forthcoming.
Somewhat to the surprise of NBC Engineering it was only a
month and a half or so later that Captain Ranger appeared with
a working model of his proposal. (Figure 2
shows Ranger [left] with his device.) It consisted
of a unit suitable for rack mounting in which the chime tones
were produced by three sets of 8 metallic reeds which plucked
in sequence by
studs on three motor driven drums. It was a small electric music
box. Tone from the reeds was obtained by capacitive coupling
of adjustable fingers mounted above each reed.
Tests of the new Rangertone Chime indicated that it had many
desirable features but had a tone quality quite different from
the soft voiced Deegan chimes. This problem was referred to the
music experts of NBC with the result that Ernest LaPrade, concert
master for Walter Damrosch and the Music Appreciation Hour, was
assigned to work with Roland Lynn of the NBC Laboratory to achieve
satisfactory tone quality from the new chime machine. After many
days of effort, since both men were perfectionists, a pleasing
but distinctive tone quality was achieved. After the necessary
circuit changes were made in the studio control system, the new
electronic chimes were put on the air in New York, and orders
were placed for additional units for other major program originating
points.
The Rangertone Chimes were used successfully by NBC for several
years until they were replaced by all electronic chimes developed
by the NBC Laboratory about 1939. The NBC Chimes were used on
early television program s in the forties and early fifties and
were even accompanied for a short time by a visual logo of a
three bar chime in color. As television became dominant and switching
was accomplished on a precision time basis the need for an aural
switching cue faded. The three note G - E - C chime had however
become well established as a trademark and aural logo of NBC.
A musical selection based on the three note theme was written
which is still heard as the theme for "NBC Movie of the
Week". The three chime notes are also heard regularly as
an aural logo for the NBC Evening News programs.
An interesting sidelight on the chimes occurred in 1938 during
a trip the author made to England, Holland, Germany and France
to observe progress in television in these countries. D.C. Birkenshaw
of BBC one evening commented that he frequently listened to programs
from the States over short wave from the General Electric stations
at Schenectady. He thought it was most ingenious of them to use
an aurally coded identification for the G E. stations by using
chimes with the notes G - E - C for General Electric Company.
I tried to persuade him that the chime signal came from NBC and
had nothing to do with General Electric. I'm not sure he really
believed it.
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